![]() Here's a quick example from the first stanza (we'll use letters to represent the rhymes): It was many and many a year ago, A In a kingdom by the sea, B That a maiden there lived whom you may know A By the name of Annabel Lee B And this maiden she lived with no other thought C Than to love and be loved by me. The long lines sometimes rhyme, and sometimes don't, but the short lines always end in the same sound. Another big tool is rhyme, and that's another place where Poe sets up a basic pattern and then plays with it a fair amount. You don't have to catch every one of these tricks to enjoy the poem and understand it, but it's good to have your eye open for patterns, and then to look for the ways that they change. Look at lines 28 and 29, for example – two "shorts" in a row. But then, in a few spots, Poe switches it up. The lines aren't always the same length, but they tend to go long/short/long/short, etc. ![]() First you get a long line, then a short line, and so on. The other important thing to notice right off the bat is that in almost every case, the poem is made up pairs of long and short lines. There are a total of six stanzas in this poem. These groups of lines are called stanzas. The first thing to notice is the poem is broken into different sections. That way we can see how he sets up patterns and then messes with them. But lets start by breaking it down into the basic categories. We'll get specific about some of them, and talk about some of the ways he gets weird and fancy. Poe uses a variety of different poetic techniques in this poem.
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